Beholding the Face of the Father
Aug. 14th, 2018 01:23 pm~



He could feel it now, in the Force, could recognize the creature before him, recognize the cold, freezing dread that lived in the furnace of his heart, the Obsidian Dragon with eyes of dead starlight, walled away by flame, and held at bay by sheer force of will. The Obsidian Dragon made of fear and failure and weakness and death.
“I will not fall!” He ground out the vow from behind clenched teeth, pressing forward with the Force as hard as he was able. Darth Vader trembled in anger at the onslaught. “I am Anakin Skywalker, and I will never fall!”
Suddenly, intensely, power rushed off Anakin in waves, and Darth Vader bent under the assault, crumpling with wheezing breaths. The painful breaths of a pitiful creature.
Utterly spent from the release of energy, Anakin sagged to his knees, arms falling weakly to his sides.
“I am Anakin Skywalker,” he rasped, “and I am not afraid.”
— from The Chosen Path AU series by steelneena ( @muldertorture ) (originally posted on tumblr)
Recently, I was asked to write about ‘Anakin as a tragic hero’, and rather than attempting to tackle such a broad topic from scratch, I decided to compile a masterpost of excerpts from (and links to) my previous posts on the subject.
In my personal view, ‘Star Wars’ (as in, the Skywalker saga) is, at its heart, Anakin’s story, and as such, his tragic fall and ultimate redemption forms one of the main, underlying themes of most of my SW analysis in general. And so, the selections below include everything from in-depth character analysis, to overviews of Anakin’s role in the saga as a whole, to explorations of themes of slavery vs. freedom, death vs. immortality, personal attachments, fear of loss, and perhaps most importantly, unconditional love.
( Read more... )“The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man.”
— | (via the-far-bright-center) “This is why the climactic and emotionally cathartic ending of Return of the Jedi must herald an end to this cycle. What does destroying the Sith mean, if not that? Without this, there is little point to Anakin’s otherwise wholly tragic story. Without this, I would argue, there is little point to Luke’s story, either.” |
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Below the cut I've posted an edited version of my response to ~ this tumblr discussion ~ regarding the mention of ‘The Chosen One’ in the final scene between Obi-Wan and Maul. While I understand (and empathize with!) the fandom's frustration over the use of this term, I feel that, on a meta-textual level, the conversation as a whole refers to both Luke and Anakin, aka the ‘Twin Suns’ of Tatooine.
The most astounding thing about the music that accompanies Anakin’s fall is how sorrowful it is. Even as his ‘dark deeds’ unfold, Williams’ score is more mournful than ever. We are meant to weep for Anakin and for those who love him. For the Jedi and for the Republic. Because what is happening to this beautiful young man is the manifestation of what has happened—of what Sidious, and through him, the Dark Side, has done—to the galaxy itself.
for @jedifest'16 Top Picks challenge
The s2 finale of Star Wars: Rebels was *the* Star Wars event of the year for me, the catalyst that sent me hurtling back into a fandom that I had distanced myself from for a long time. This episode single-handedly rekindled my love for Star Wars at a very dark time when I’d thought I had lost it forever.
Nothing can ever capture the tumult of emotion and the intensity of feeling I experienced while watching the now-iconic confrontation between Ahsoka Tano and Darth Vader. My heart exploded; my soul ascended. The moment Ahsoka slices open Vader’s mask is etched upon my memory forevermore: Vader, brought to his knees, and the voice of Anakin Skywalker, calling out the name of his beloved former apprentice.
Nothing can replicate it, and nothing can ever compare to it. But these five incredible fanworks sure come close.
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for @jedifest‘16 Top 5 Picks
Anakin Skywalker/Darth Vader is one of my favourite fictional characters of all time, and thus it's no surprise that attempting to choose only five pieces for this list proved a rather...difficult challenge. In the end, I decided to try a more liminal approach. While both of his dual identities are fascinating in their own right (Vader, his tormented prison; Anakin, his True Self, and the identity that we all long for him to reclaim), when it comes to artistic depictions, I find that this character is often at his most visually compelling when the two intertwine.
The following are five pieces that I feel capture the intermingling of and/or inner conflict between Anakin and Vader. (These are but a taste of the many beautiful works of art I’ve encountered this year; for more, see the tag on my blog here.)
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"There is more than one prison -- I sense that you carry yours with you wherever you go."
- Chirrut Imwe
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( Read more... )
Nothing frustrates me more than seeing Anakin and Padme (and the Skywalker family in general) constantly referred to as ‘dysfunctional’.
( Read more... )
There is something incredibly unique about Anakin Skywalker as a character: this fascinating blend of hero, victim, and villain, and how the interplay of fate, destiny, character flaws, divided loyalties, tragic decisions, and the machinations of others leads to such great pain, loss, and evil…for himself, and for an entire galaxy. How he, as Vader, becomes both physically and mentally enslaved, suspended in an almost carbonite-like stasis and cyclical mindset for decades, until his final act of free will, spurred on by his latent, powerful love for his son, sets him—and them all—free.
In the wake of TFA, I feel the need to explain why I find Anakin’s entire arc (his fall and redemption) so important—nay, essential—to the overall message of the Star Wars saga, and why, thus far, the entire premise of the sequels feels like such an insult to all that has come before—especially in light of the nature of both Anakin’s tragic tale and Luke’s heroic journey.